Annientamento
Men, women, children, animals, helpless victims of war. Symbolic elements: aeroplane/mask/skeleton evoke the dehumanisation of war.
The aggressor, represented by a mask, symbol of modern cowardice, devastates from a distance, without seeing or touching. He kills in disguise, devoid of identity and remorse. A dehumanised executioner, a blind instrument of death, he would like to hide his real intentions but fails to do so. The grey, leaden sky is a threat; it sees no tears or suffering. The aircraft, a symbol of impersonal, faceless violence, appears as a menacing and cruel god. It flies over the Earth and, like an invisible judge, drops bombs and condemns everyone to death. It sows terror, while its prey, disjointed and dismembered, searches in vain for shelter. Work of 3D digital modelling and photography.
Lidia Ines Montenero
A graduate in languages, she lives in Turin. She attends artists’ studios, art seminars in Milan and Florence, and courses in figure drawing and engraving techniques at the Academy of Fine Arts in Turin. She creates sculptures and paintings and experiments with 3D digital modelling. Themes: relational conflicts, oppression and violence against women, but also their yearning for freedom. She participates with an MD loop in the 3D digital animation film La Mattanza by R. Montenero.
Photography exhibition Il Volo Spazio Casa Tadini Mi 2025
Solo painting exhibition Views Galleria Oblom 2013
Art meets prison Palazzo Barolo To 2012
Resistant Materials The Artemisia sisters Museo Diffuso della Resistenza To 2010
The shadows of silence MiArt Mi 2005
Mail Art allo specchio curated by R. Maggi Mi- Ldn 2004 Camera 312: Riparte curated by R. Maggi Ge 2004
