{"id":4040,"date":"2025-06-28T23:43:17","date_gmt":"2025-06-28T23:43:17","guid":{"rendered":"https:\/\/www.noweapon.world\/?p=4040"},"modified":"2025-06-28T23:51:29","modified_gmt":"2025-06-28T23:51:29","slug":"sabatino-cersosimo","status":"publish","type":"post","link":"https:\/\/www.noweapon.world\/it\/sabatino-cersosimo\/","title":{"rendered":"Sabatino Cersosimo"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<p style=\"font-size:12px\"><strong>In the Labyrinth (of Borges)<\/strong><\/p>\n\n\n\n<p style=\"font-size:12px\">My painting In the Labyrinth (of Borges) is inspired by the short story The House of Asterion by Jorge Luis Borges, in which the Minotaur\u2014a mythological figure often seen as an executioner\u2014is humanized through his fears, fragility, and desire for redemption. The absence of resistance, the refusal to fight, and the surrender to death become, for him, the only path to freedom.<br>Here the Minotaur is depicted as a man, kneeling in submission, rejecting the logic of violence and conflict. Traces of the mythological creature emerge in the tendrils of taurine horns at the bottom of the painting and in the faint arc above his head. His legs lose their human form, appearing more ethereal and undefined through the rust, reinforcing the sense of transformation and sacrifice.<\/p>\n\n\n\n<p style=\"font-size:12px\"><strong><strong><strong><strong><strong><strong>Sabatino Cersosimo<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n<p style=\"font-size:12px\"><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-stretch is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<figure class=\"wp-block-image size-full is-resized is-style-default\"><a href=\"https:\/\/www.noweapon.world\/wp-content\/uploads\/2025\/06\/SABATINO-CERSOSIMO-.jpg\"><img decoding=\"async\" width=\"1344\" height=\"1920\" src=\"https:\/\/www.noweapon.world\/wp-content\/uploads\/2025\/06\/SABATINO-CERSOSIMO-.jpg\" alt=\"\" class=\"wp-image-4028\" style=\"width:778px;height:auto\" srcset=\"https:\/\/www.noweapon.world\/wp-content\/uploads\/2025\/06\/SABATINO-CERSOSIMO-.jpg 1344w, https:\/\/www.noweapon.world\/wp-content\/uploads\/2025\/06\/SABATINO-CERSOSIMO--600x857.jpg 600w, https:\/\/www.noweapon.world\/wp-content\/uploads\/2025\/06\/SABATINO-CERSOSIMO--210x300.jpg 210w, https:\/\/www.noweapon.world\/wp-content\/uploads\/2025\/06\/SABATINO-CERSOSIMO--717x1024.jpg 717w, https:\/\/www.noweapon.world\/wp-content\/uploads\/2025\/06\/SABATINO-CERSOSIMO--768x1097.jpg 768w, https:\/\/www.noweapon.world\/wp-content\/uploads\/2025\/06\/SABATINO-CERSOSIMO--1075x1536.jpg 1075w, https:\/\/www.noweapon.world\/wp-content\/uploads\/2025\/06\/SABATINO-CERSOSIMO--294x420.jpg 294w, https:\/\/www.noweapon.world\/wp-content\/uploads\/2025\/06\/SABATINO-CERSOSIMO--150x214.jpg 150w, https:\/\/www.noweapon.world\/wp-content\/uploads\/2025\/06\/SABATINO-CERSOSIMO--300x429.jpg 300w, https:\/\/www.noweapon.world\/wp-content\/uploads\/2025\/06\/SABATINO-CERSOSIMO--696x994.jpg 696w, https:\/\/www.noweapon.world\/wp-content\/uploads\/2025\/06\/SABATINO-CERSOSIMO--1068x1526.jpg 1068w\" sizes=\"(max-width: 1344px) 100vw, 1344px\" \/><\/a><figcaption class=\"wp-element-caption\"><a href=\"https:\/\/www.noweapon.world\/artists\/\"><strong><em>DISCOVER<\/em><\/strong> <strong>ALL THE ARTISTS<\/strong><\/a><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In the Labyrinth (of Borges) My painting In the Labyrinth (of Borges) is inspired by the short story The House of Asterion by Jorge Luis Borges, in which the Minotaur\u2014a mythological figure often seen as an executioner\u2014is humanized through his fears, fragility, and desire for redemption. The absence of resistance, the refusal to fight, and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4030,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-4040","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-news"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Sabatino Cersosimo - NoWeapon.World<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.noweapon.world\/it\/sabatino-cersosimo\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sabatino Cersosimo - NoWeapon.World\" \/>\n<meta property=\"og:description\" content=\"In the Labyrinth (of Borges) My painting In the Labyrinth (of Borges) is inspired by the short story The House of Asterion by Jorge Luis Borges, in which the Minotaur\u2014a mythological figure often seen as an executioner\u2014is humanized through his fears, fragility, and desire for redemption. 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